Fashion Week

On the third day of Paris Fashion Week, designers at Tom Ford, Dries Van Noten and Courrèges engaged with the relationship between gestures and clothes.

Haider Ackermann talks in-depth to Tim Blanks about his debut for Tom Ford and the subtle sensuality behind the brand’s new direction.

Dior’s Maria Grazia Chiuri explored the history of femininity, while Alaïa’s Pieter Mulier probed the history of beauty ideals and Undercover’s Jun Takahashi mined his own history.

Giorgio Armani’s latest outing capped a Milan Fashion Week that included shows from promising young labels: Galib Gassanoff’s Institution, Giuseppe Buccinnà and Francesco Murano.

On the fifth day of Milan Fashion Week, designers at Bally, Ferragamo and Dolce & Gabbana explored the elasticity of brand DNA.

The designer speaks to BoF’s Imran Amed on the past, present and future of the Roman fur and leather goods house that carries her family name.

Kering’s flagship brand is expected to announce a new creative director ‘promptly.’ The sooner the better, writes Imran Amed.

Designers at Versace, Moschino, Tod’s and Missoni grappled with how to interpret deep-rooted house codes, while Sunnei’s Simone Rizzo and Loris Messina kept creating their own.

Company veteran Caliri is back in the driver’s seat as creative director of men’s, women’s and home collections. ‘What matters at Missoni is the materiality of texture, and this is where my path begins,’ the designer tells Angelo Flaccavento on the eve of his return to the runway.

On the third day of Milan Fashion Week, Prada, Roberto Cavalli and Etro proposed their takes on how a woman should look.

On the second day of Milan Fashion Week, Silvia Venturini Fendi staged a 100th anniversary show and Lucie and Luke Meier showed their final collection for Jil Sander, while OTB stablemates Diesel and Marni hit the mark.

A transitional show at Gucci, a debut at Alberta Ferretti and a 30th anniversary outing at DSquared2 kicked off the first day of Milan Fashion Week.