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The BoF Podcast | Skepta on Failing, Learning and Freedom in Fashion

BoF’s Imran Amed talks with grime MC and rapper Skepta about the revival of his clothing brand Mains, the parallels between music and fashion, and how embracing failure has been key to his creative journey.
Skepta
After the rapper launched his fashion brand, Mains, in 2017, it was put on pause after a split from his manufacturer. (Ciesay San)

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Background

The renowned grime MC and rapper Skepta knows that there’s no such thing as an overnight success. After the rapper launched his fashion brand, Mains, in 2017, it was put on pause after a split from his manufacturer before making a return to London Fashion Week last year. Progress, he believes, takes time and resilience.

“Like anything in the world, the best way to learn is to do it and fail,” he said. “I know that it’s not a short road … you have to be in it to win. And it could take one pair of shoes. It could take a hat, could take one bag … If you don’t carry on trying and failing, you won’t get there.”

This week on The BoF Podcast, BoF founder and editor-in-chief Imran Amed sits down with Skepta to discuss Mains’ revival, his philosophy of perseverance and why he refuses to follow conventional rules in the fashion industry.

Key Insights

  • Skepta’s love for fashion was sparked by his passion for underground music and the style he saw at garage events. “I’m getting turned away from clubs … and when I’m getting turned away, I’m looking in the queue and there’s people wearing Versace, Moschino, Patrick Cox loafers,” he says. The way that clothes and music felt, tied together to shape his taste. “That was where I really fell in love with fashion. The aspiration of wanting to wear the clothes, but also listening to the music that you listen to when you wear the clothes.”
  • Skepta’s journey as a fashion customer, with a keen eye for garment construction and detail, led him to launch his own brand. “Years and years of experience of buying clothes and looking at stitches and the inside jackets, the panels, I just felt like I was experienced enough to give the tailoring expertise as well as the love and the true magical passion that’s not taught in school. ... Paired with a great designer, Mikey Pearce, and team, it was almost like divine intervention for me to just do it.”
  • Skepta’s creative process is iterative. “With music, you can actually change the audio after it’s even out, but with clothes you definitely can’t, so until it’s out I’m always changing. I’m always adapting and figuring out,” he says. “I don’t like putting boundaries on thought. I think we should always be able to adapt and change.”
  • “I’m doing one show a year. Spring, summer or winter altogether. Boys and girls in my show, they’re all wearing the same clothes.” This creative freedom allows Skepta to fully enjoy the process, believing it’s important to not take fashion too seriously. “It should be fun. And I see a lot of people that go into fashion and adhere to the rules that have been set, then they start having a bad time doing something that they love. That’s crazy to me.”

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The Daily Digest Newsletter

The essential daily round-up of fashion news, analysis, and breaking news alerts.
Plus, access one complimentary BoF Professional article of your choice, each month.

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Agenda-setting intelligence, analysis and advice for the global fashion community.
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