Texas-born Daniel Roseberry took over as artistic director at Schiaparelli following Bertrand Guyon’s departure in April 2019, having previously spent 11 years at ready-to-wear brand Thom Browne . His debut collection had “an audacity that had a perfect, refreshing logic,” said BoF Editor-at-Large Tim Blanks in his review.
Roseberry studied at Fashion Institute of Technology in New York before starting his career at Thom Browne in 2008. Over the last five years, Roseberry acted as the brand’s design director of men’s and women’s collections.
In April 2019, Schiaparelli announced the departure of Bertrand Guyon, who held the role of design director for four years. A week later, Daniel Roseberry was announced as Guyon’s successor, to take charge of all collections and projects at the storied Place Vendôme house. The designer debuted his first collection for the house for the Autumn/Winter 2019 couture season, despite never working in a couture atelier before. Notably, he also does not speak French but instead, another member of the atelier translates his instructions.
VITAL STATISTICS
5 Brands That Dominated the Social Conversation During Paris Fashion Week
While critics may have hailed Tom Ford and Givenchy as standout moments of the season, new analysis from BoF INSIGHTS PULSE says Schiaparelli, Coperni and Chanel led the user-generated conversation on social media during Paris Fashion Week.
5 Brands That Dominated the Social Conversation During Paris Fashion Week
While critics may have hailed Tom Ford and Givenchy as standout moments of the season, new analysis from BoF INSIGHTS PULSE says Schiaparelli, Coperni and Chanel led the user-generated conversation on social media during Paris Fashion Week.
Couture’s Season of Monumentalism
A sense of sculptural rigidity and a stiff monumentalism was all over Paris Couture Week, writes Angelo Flaccavento.
Backstage Pass: Schiaparelli’s Cinematic Couture
Tim Blanks speaks to Daniel Roseberry about his “forgotten collection from the past” for Schiaparelli Autumn/Winter 2024 Haute Couture.
Couture Day One: Americans in Paris
What does it mean that Daniel Roseberry and Thom Browne are offering the most stimulating takes on haute couture?
Schiaparelli: Diego Della Valle’s Vision for Scaling a ‘Sleeping Beauty’ Brand
By pairing global recognition and potent brand signatures with an ultra-exclusive store network, the mythic couture house owned by Tod’s chairman Diego Della Valle is finding willing clients for its ready-to-wear expansion.
Schiaparelli: Diego Della Valle’s Vision for Scaling a ‘Sleeping Beauty’ Brand
By pairing global recognition and potent brand signatures with an ultra-exclusive store network, the mythic couture house owned by Tod’s chairman Diego Della Valle is finding willing clients for its ready-to-wear expansion.
Why Does Fashion Need Haute Couture?
On Monday at 10 a.m., a swarm of extremely well-heeled clients — dressed in Schiaparelli looks, holding Schiaparelli bags and wearing bright gold Schiaparelli jewellery, often the same pieces, from the same collections — proceeded en masse into the Petit Palais in Paris.
Why Does Fashion Need Haute Couture?
On Monday at 10 a.m., a swarm of extremely well-heeled clients — dressed in Schiaparelli looks, holding Schiaparelli bags and wearing bright gold Schiaparelli jewellery, often the same pieces, from the same collections — proceeded en masse into the Petit Palais in Paris.
Paris Couture Week: All or Nothing
Couture Week was a polarised affair, opposing restraint and excess, technique and showmanship, real clothes and wild storytelling, with little in between, writes Angelo Flaccavento.
The Marketing Challenge Behind Schiaparelli’s Fur Faux Pas
The brand’s hyperrealistic (but fake) animal heads sparked outrage this week, highlighting the increasingly delicate balance brands must strike between provocative marketing and shifting consumer values.
In Search of Modern Couture
Tradition coursed through the veins of Paris couture week with few outliers, reports Angelo Flaccavento.
At Couture, the Murmuring 30s
The first days of the Paris couture shows offered subliminal reflections of other times and places when things were just as bad as they are now, writes Tim Blanks.
What is The BoF 500?
The people shaping the global fashion industry, curated by the editors of The Business of Fashion, based on nominations and on-the-ground intelligence from around the world.
